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    the order implant

    OLYMPUS DIGITAL CAMERA

    OLYMPUS DIGITAL CAMERA

    The paradox of an architectural order and the human being as part of architectural surroundings were taken as a theme by heri&salli in a sculpture of wood on a lawn between the district court and the artists’ house in Salzburg.

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    In the end, the implant in the artists’ house turned to be an explant more or less in front of the artists’ house and in the meantime it is standing as a realized free standing object dedicated to the history of an imagination – to a thought motion – to a thought illegal working space. The object is not the space, but structure of a space and the human being becomes picture of a temporary structure by this he becomes picture of a view sequencely more, sequencely less his position makes him fragment of a spatial sequence.

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    18 squared timber frames sequencely positioned in a spiral shape form a figure with a total length of 16 metres in their frontal view.  The implant, designed for the open day, was thought as an object in the centre of a moving human crowd. Order in an obviously moving disorder, in which the implant opposes the strolling upright walk, easily and materially referring to itself in its motion.

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    Architecture is order, and architecture cancels this order. The human being becomes part of a static staggering space; …..after this, he has his Wiener Melange in the Café Cult … pleased about being upright part of a spiral.

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    images: © heri&salli

    architecture: heri&salli

    Finishing: 2002
    wood construction: holz-art; Timelkam